When network television news was created in the late 1940s, no one in charge knew how to do it. It was a new creature.
Sponsors? Yes. A studio with a desk and an anchor? Yes. A list of top stories? Yes. Important information for the public? Yes.
Of course, “important information” could have several definitions — and the CIA already had a few claws into news, so there would be boundaries and fake stories within those boundaries.
The producers knew the anchor was the main event; his voice, his manner, his face. He was the actor in a one-man show. But what should he project to the audience at home?
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Sponsors? Yes. A studio with a desk and an anchor? Yes. A list of top stories? Yes. Important information for the public? Yes.
Of course, “important information” could have several definitions — and the CIA already had a few claws into news, so there would be boundaries and fake stories within those boundaries.
The producers knew the anchor was the main event; his voice, his manner, his face. He was the actor in a one-man show. But what should he project to the audience at home?
Read Entire Article »